Thunivu is an Indian Tamil-language action heist film written and directed by H. Vinoth and produced by Boney Kapoor. Ajith Kumar plays the major role, and Manju Warrier, Samuthirakani, John Kokken, Ajay, and Veera play supporting parts.
On January 11, 2023, the week of Pongal, Thunivu received a theatrical release. The movie was a commercial success despite the reviewers' mixed opinions.
The mystery-thriller film Thunivu opens with a bank heist, which inspires feelings of retaliation against the police and the government. They threaten the police and government, saying that if they let them go peacefully, they won't hurt the hostages there. All of the captives will be executed if they cause any problems.
Cast and Crew
Screenplay and Storyline:
The movie was released in Tamil language.
Rs. 200 crores
The Plot of the Movie
With the assistance of ACP Ramachandran, the infamous criminal Radha plans a theft at "Your Bank," one of the largest privately held banks in Chennai. On May 21, they want to steal 500 crores, just before the Governor's celebration at his home.
On the day of the robbery, Radha and his men rob a bank, only to find that the bank has already been robbed by a mysterious man known as Michael Jackson and his collaborator, Kanmani. Once inside the bank, the commandos are stopped and routed.
Radha and his men grudgingly accede to Jackson's request to assist him in robbing 5000 crores in exchange for a piece of the loot. Radha decides to assassinate Jackson but is ultimately defeated when she discovers that the bank locker only has 1,510 crores.
To Ramachandran's chagrin, Jackson demands that Antony, a policeman, act as the mediator. He impersonates Michael Jackson using a voice changer to fool the public and the media into referring to him as Michael Jackson.
Ramachandran uses a sniper to attempt to assassinate Jackson, but he fails and ends up exploding a car. City commissioner Dayalan was contracted to manage the problem when information about the events was leaked to the media.
Dark Devil discovers explosives when checking the bank and surmises that a third crew may have also entered the building without his knowledge.
Jackson is following Kanmani in a van, but Kanmani rams the van, then flees. When Dayalan interrogates Ramachandran about his role in the theft, he admits that he and his boyhood buddy Shyam, the head of Your Bank's Tamil Nadu branch, organized the heist. Ramachandran sends his men to find Kanmani, but she kills them and reveals his involvement to her. Jackson, also known as "Dark Devil," was offered the position by Ramachandran, but he declined.
Later, Ramachandran recruited Radha's crew without telling them they would be executed after the theft. As a result of hearing Ramachandran's confession through bugs placed in Dayalan's headquarters, Radha and his gang join Dark Devil and help him. After the police discover his participation, Shyam tries to escape, but Kanmani captures him.
Dayalan starts looking for Valavan after discovering that he was the one who wired and hid bombs in the drains. Additionally, he finds out that Dark Devil and his gang passed away a few months ago. Ramachandran attempts to use a fake bomb explosion to show that Dark Devil is still alive, but the bomb turns out to be genuine and explodes when a wire inside it comes loose, killing Ramachandran in the process.
Kanmani informs Dark Devil that the bank has 25,000 crores of rupees. Dark Devil instructs Dayalan to schedule a meeting between him and Krish, the chairman of Your Bank. As Dark Devil surmised, the third team, which turned out to be members of the bank's employees, attacked Radha and his squad inside the locker before attacking Dark Devil and seizing him. When Krish arrives, he admits that he recruited the third team and orders them to blow up the bank's safe while holding hostages inside.
The movie's central mystery is why a foreign thug picks on and robs a private bank. To assist the general public in comprehending numerous ideas, such as credit cards, the stock market, mutual funds, interest-free loans, and loans, among others, as well as the strategies used by the capitalist class through these schemes, H. Vinod also authored the script for the film version. It is a suspenseful heist story inspired by a real-life episode that involved the 1987 burglary of the Punjab Bank.
Box Office Collection of the Movie
The first-day worldwide box office takes for Thunivu was 24.4 Cr. "Thunivu" had a gross Tamil occupancy rate of 74.26% while only making 24.4 Cr.
The production company for Thunivu officially announced on January 16 that the film had earned 123 crores in just five days worldwide, including 32 crores from overseas and 91.50 crore from Tamil Nadu. Regarding global box office receipts, Thunivu finished its run with a respectable 200.57 crore gross.
Thunivu Review Based on the Critics
By using just two notes in its short narrative, Thunivu manages to walk a narrow line between letting Ajith do what he does best and telling a crisp story about corruption in the manner that director H. Vinoth is known for, and it mostly succeeds.
This narrative line attempts to spoof the bank robbery film while simultaneously turning the protagonist's moral compass on its head. There are clever concepts that are used early to introduce the idea that a bank is primarily for the benefit of the people.
Initially, going into this bank, we observe a group of regular, everyday bankers and innocent clients. The brilliance of this arrangement is in realizing how it functions like a see-saw, with the bank's aim only becoming more obvious as we move up the chain of command and towards senior management. As we keep cutting back on people outside the bank, this affection for ambiguous characters becomes even more obvious.
It seems fine since it allows you to observe how strangers behave, particularly when a bank heist is in progress. When faced with this circumstance, nobody's voyeuristic reaction is to get out of their phones and gain a brief moment of online glory. Even more responsible for their engagement is the media, which functions very similarly to the middle management of the bank.
Ajith Kumar steals the show in Thunivu; he makes a big entrance, shakes his leg frequently, sends goons flying, and moonwalks through this cakewalk of a movie that doesn't ask too much of him.
He also performs a moonwalk in a moment. Ajith portrays Dark Devil, a private mercenary who works for hire. Dark Devil, Kanmani, portrayed by Manju Warrier, and their gang double-cross Radha, portrayed by Veera, and his gang as they seize possession of a private bank in Chennai. They then make a deal with them.
The Police Commissioner assumes control of the situation outside the bank. A bank robbery tale with many twists and turns, letdowns, loads of gunfire, heroic victories, and redemptions starts. Naturally, this implies that, as in most commercial star vehicles, the hero is immediately given a storyline armor, and it is always crucial to justify your actions to a person you will kill.
Fortunately, it's simple to look beyond all of it since Vinoth's script is, for the most part, risqué and taut. To keep you interested, he withholds information and sprinkles just enough surprises. Thunivu has problems just after the interval block; initially, Vinoth exploits Masala Cinema's famous interval segment creatively, but the rest of the movie needs to improve.
The only true trump card to play with is the mystery surrounding Ajith's group and their purpose, and the screenplay begins flowing with information as it should. We understand they are a successful mercenary gang for hire with exceptional skills. However, the information about the gang's past could be more impressive and leaves many unresolved issues.
The problem is not ambiguity but rather a need for clarity in the information provided and the incoherence of the situations. As an illustration, all of a sudden, we must support two of the gang members just because their commander claims that the group is "his family." In Thunivu, Ajith is more of an instigating anti-hero with few, if any, redeeming characteristics than a Robin Hood.
His morals are flawed; he kills innocent police officers and is only concerned with the bigger picture. In Thunivu, most of the characters have grey undertones, and Vinoth sets out to show how practically everyone is selfish somehow. Saying that banks take advantage of people's need for money is one thing, but demonstrating how corrupt and prevalent that can be through the hierarchy of a private bank is quite another.
Vinoth also ensures that the movie doesn't become a sermon while recounting this story. The fact that we never hear a discourse specifically mentioning the gallery is a triumph. The cheers increase louder every time Thunivu points out the daily horrors of banks and how the system manipulates ordinary people, which says a lot.
It's also intriguing to see how he uses the media in this game while criticizing their self-interest. This blockbuster movie discusses topics that the average person deals with daily. The media choose whatever material to release into the public realm based on what will benefit them the most and help them develop in their careers.
Top police officers and politicians, who are similarly crooked and unfair, serve as a stand-in for the high management among these outsiders. Due to the lack of space for even the most fundamental goodness, this is the only genuine part of Thunivu that functions successfully. Everyone in the movie exhibits some selfishness, and the difference between the light and dark greys lies in the level of selfishness.
The second point is further developed through a scene that serves as the movie's first flashback. At this point, we discover more about "Michael Jackson" and his group of influential people. Intriguingly, Vinoth asks us, the moviegoers, about our dislike of celebrities who tell a karuthu that reduces them to mere entertainers in this scene in an incredibly self-aware dialogue.
However, the solution is straightforward and rests within Thunivu; it functions best when originality is incorporated, as in most of his earlier films. While it's true that Ajith carries the movie because of his charm and intriguing line delivery in Thunivu, the antagonist only begs the protagonist to pledge not to murder him. And because he dominates the screen time, no other character has a meaningful impact.
So, when two of these "close" members are attacked right after we meet them, we see them as nothing more than cloth hangers. Manju Warrier limits herself to take on the enigmatic character of the mysterious feminine presence in Darkdevil's life. Even though her character's whole range was scripted with a spin-off twist, she could only advance further. Along with Mohanan Sundaram, who plays the part of journalist Mai Pa, Bagavathi Perumal, as Anthony, occasionally makes people chuckle.
The poorest part of Thunivu is its third act. Leaving aside the lack of innovation, it even undermines the foundation that has been laid. Even a decisive blowout might have left a nicer aftertaste if it had been all guns blazing. Despite the chaos and barrage of gunfire, there isn't a single action scene that fans will remember, despite what Vinoth is known for creating.
One in particular, which attempts to employ flares as a component to transform a tragic action scene into something bright and innovative, completely loses its meaning as a concept in chaotically choreographed chaos. This may also be said of the pivotal scenes, which only use great production values to cover up their lack of originality.
When the protagonist uses sarcasm to impart practical lessons to the top management by employing the same strategies banks use against us, the single stretch seems like the ideal combination of a great concept fitting into the film's overall structure. Large air sections crafted around Ajith's star appeal comprise the rest of the film.
That is not what you would expect from a director like Vinoth, who, at the very least, can give you a good infomercial and a few entertaining battle sequences before and after it. Thunivu differs from the movie one hoped for because it has very little of either.
Thunivu Review Based on the Viewers
After watching the film Thunivu, viewers had varying opinions. Some of them gave the plot and Ajith's performance great appreciation. Others disagreed with this assessment and needed to be addressed with the director's efforts.
The movie, according to one spectator, offers a good message that isn't very strong. This is a one-time watchable movie with outrageous acts of heroism and unwelcome crowd scenes.
Another commenter described it as just another mediocre product from Ajith that needs to be clearer, unnecessarily 1.5X speed-like, and Hollywood-inspired. It's like witnessing a string of unrelated occurrences involving strangers, unrelated to the moviegoers, and having inadequate knowledge of finances and debt.
A spectator remarked that the film is solely intended to depict acts of heroism, the opening sequence needed to be updated, and the gunfire into the bank sets needed to be more accurate. One of them questioned the filmmakers, asking if they thought the audience was buffoons because they were making such films when all it was vengeance drama for a bank fraud. Several people gave the film a 1/10 rating.
However, several viewers felt that the film delivered a suspenseful action thriller well-supported by humor, an appropriate supporting cast, and the director's deliberate social commentary. Many viewers commended the movie for keeping them interested the entire time. A spectator commented that the movie was too good and had no dull scenes.
One admirer remarked that Ajith's dialogues and script were too brilliant. They praised the actors and the producers. Another viewer commented that the film was content-focused and would only resonate with some. Still, Vinoth presented a clear explanation of the problem we have in the banking industry.
Another positive review about the film was provided by a viewer who said it had surprising occurrences and a well-written narrative. The actor gave a performance that was just outstanding. The film demonstrated how it was competitive with "John Wick" and "Bank Job." Even though many viewers awarded the film a 1/10 rating, many admirers gave it a 10, 9, or 8 rating out of 10.
Both reviewers and spectators have given Thunivu mixed reviews. Others believe it lacks rhythm and character development, while some praise its realistic representation of social concerns and powerful performances.
Although critics have praised its innovative narrative, several viewers have asked for further explanations of certain plot issues. Despite the differences, Thunivu can elicit debate and stimulate thinking, giving viewers a lasting impression that differs based on personal preferences.